 Alternatively, according to 陈静 and 陈建华, this nonachord is made up of a tetrachord with the juxtaposition of 1 major 2nd and 2 minor 2nd intervals (i.e. [0, 2, 3, 4] in set notation). From this, we can see 3 sets of [0, 2, 3, 4] in the scale ----> E-F#-G-Ab, Ab-Bb-B-C, C-D-Eb-E But maybe from this perspective, it is more difficult to see how thematic materials are drawn and utilized from the scale.
 Alternatively, according to 陈静 and 陈建华, this nonachord is made up of a tetrachord with the juxtaposition of 1 major 2nd and 2 minor 2nd intervals (i.e. [0, 2, 3, 4] in set notation). From this, we can see 3 sets of [0, 2, 3, 4] in the scale ----> E-F#-G-Ab, Ab-Bb-B-C, C-D-Eb-E But maybe from this perspective, it is more difficult to see how thematic materials are drawn and utilized from the scale.
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Sunday, October 12, 2008
self-constructed scale stemming from [0, 3, 4, 7]
I just realised that the self-constructed scale C D Eb E F# G Ab Bb B actually comprise of 3 sets of [0, 3, 4, 7]!  Alternatively, according to 陈静 and 陈建华, this nonachord is made up of a tetrachord with the juxtaposition of 1 major 2nd and 2 minor 2nd intervals (i.e. [0, 2, 3, 4] in set notation). From this, we can see 3 sets of [0, 2, 3, 4] in the scale ----> E-F#-G-Ab, Ab-Bb-B-C, C-D-Eb-E But maybe from this perspective, it is more difficult to see how thematic materials are drawn and utilized from the scale.
 Alternatively, according to 陈静 and 陈建华, this nonachord is made up of a tetrachord with the juxtaposition of 1 major 2nd and 2 minor 2nd intervals (i.e. [0, 2, 3, 4] in set notation). From this, we can see 3 sets of [0, 2, 3, 4] in the scale ----> E-F#-G-Ab, Ab-Bb-B-C, C-D-Eb-E But maybe from this perspective, it is more difficult to see how thematic materials are drawn and utilized from the scale.
 Alternatively, according to 陈静 and 陈建华, this nonachord is made up of a tetrachord with the juxtaposition of 1 major 2nd and 2 minor 2nd intervals (i.e. [0, 2, 3, 4] in set notation). From this, we can see 3 sets of [0, 2, 3, 4] in the scale ----> E-F#-G-Ab, Ab-Bb-B-C, C-D-Eb-E But maybe from this perspective, it is more difficult to see how thematic materials are drawn and utilized from the scale.
 Alternatively, according to 陈静 and 陈建华, this nonachord is made up of a tetrachord with the juxtaposition of 1 major 2nd and 2 minor 2nd intervals (i.e. [0, 2, 3, 4] in set notation). From this, we can see 3 sets of [0, 2, 3, 4] in the scale ----> E-F#-G-Ab, Ab-Bb-B-C, C-D-Eb-E But maybe from this perspective, it is more difficult to see how thematic materials are drawn and utilized from the scale.
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